
Still Life


Packshots for Greenforce

Flowers Still Life

Confectionery Packaging – Zentis Marzipan

Wünsch dir Mahl – Vegan Food

Packaging Relaunch for Yogurette

Pack Shots for Fruit Buttermilk

Spiegelau – Packaging Shots

Dr. Spiller Cosmetic

Weihenstephan Dairy Food Packaging

Kevin Murphy Styling Products

Amagram Editorial Shots

Occhio Image Product Photography

Parmigiani Watches

Jewelry on Marshmallows

Fashion Stills – Flowers

Cheese for Packaging

Blowball Still Life

Chair in Icecube

Product Photography Bosch

Südzucker Packaging

Still Life Watches for Playboy

Rösle Product Packaging

Packaging for Zimmermann GmbH

Zoeppritz People Stills

Cosmetics – Cosmopolitan Black

COOP Product Packaging

FFB Food Packaging

MaxMax Food Packaging

Ispo Bodypainting

Zoeppritz Accessories

Celebrity Perfumes

Cosmopolitan Perfume Bottles

Clipping Fashion Stills

Editorial Summer Outfits – Matador

Activaroma Argan Oil Image Shots

X-Ray

Product Stills – Mountainbike Magazine
Still Life
Kai, why are you enthusiastic about still life photography?
I love solving the puzzles that come with each project. Sometimes physical problems seem like obstacles to a great idea. I can get really creative to solve the problem and create a custom, finely-tuned photograph that is the exact product that I intended. As early as photography school I needed to tinker with a complicated chrome-plated espresso machine to get the presentation photo I wanted.
What makes the difference in the outcome of the finished photograph?
The time I devote to each project is definitely important. Patience and perseverance are other keys. Of course, a lot also depends on the equipment in product photography, especially the lighting. If everything is right, the object appears as if it has a life of its own. That is the goal.
Which experience do you particularly like to remember?
I once did a jewelry shoot and the client assigned a guard! It became clear that there was some very expensive jewley in the studio that day. Another shoot was with a model that was bodypainted – but that was not my job (laughs). Then there was the campaign for the ISPO which dealt with innovation and technology. I had the idea to work with X-ray images, which represent exactly those concepts.