Still Life
Packshots for Greenforce
Flowers Still Life
Confectionery Packaging – Zentis Marzipan
Wünsch dir Mahl – Vegan Food
Packaging Relaunch for Yogurette
Pack Shots for Fruit Buttermilk
Spiegelau – Packaging Shots
Dr. Spiller Cosmetic
Weihenstephan Dairy Food Packaging
Kevin Murphy Styling Products
Amagram Editorial Shots
Occhio Image Product Photography
Parmigiani Watches
Jewelry on Marshmallows
Fashion Stills – Flowers
Cheese for Packaging
Blowball Still Life
Chair in Icecube
Product Photography Bosch
Südzucker Packaging
Still Life Watches for Playboy
Rösle Product Packaging
Packaging for Zimmermann GmbH
Zoeppritz People Stills
Cosmetics – Cosmopolitan Black
COOP Product Packaging
FFB Food Packaging
MaxMax Food Packaging
Ispo Bodypainting
Zoeppritz Accessories
Celebrity Perfumes
Cosmopolitan Perfume Bottles
Clipping Fashion Stills
Editorial Summer Outfits – Matador
Activaroma Argan Oil Image Shots
X-Ray
Product Stills – Mountainbike Magazine
Still Life
Kai, why are you enthusiastic about still life photography?
I love solving the puzzles that come with each project. Sometimes physical problems seem like obstacles to a great idea. I can get really creative to solve the problem and create a custom, finely-tuned photograph that is the exact product that I intended. As early as photography school I needed to tinker with a complicated chrome-plated espresso machine to get the presentation photo I wanted.
What makes the difference in the outcome of the finished photograph?
The time I devote to each project is definitely important. Patience and perseverance are other keys. Of course, a lot also depends on the equipment in product photography, especially the lighting. If everything is right, the object appears as if it has a life of its own. That is the goal.
Which experience do you particularly like to remember?
I once did a jewelry shoot and the client assigned a guard! It became clear that there was some very expensive jewley in the studio that day. Another shoot was with a model that was bodypainted – but that was not my job (laughs). Then there was the campaign for the ISPO which dealt with innovation and technology. I had the idea to work with X-ray images, which represent exactly those concepts.